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"12 MONKEYS" COMES UP SHORT IN 1995
OSCAR RUN This year, "12 Monkeys" was recognized in two separate Oscar categories. One nomination went to Brad Pitt in the Best Supporting Actor category and another to Julie Weiss for Best Costume Design. This is the fourth Gilliam project to receive an Oscar nod and is Brad Pitt's (and Julie Weiss's) first such honor. "12 Monkeys" has done quite well since its official debut this past January 5. After 18 weeks in release, the film has pulled in a whopping $120 million worldwide. The film resided in the number one spot nationwide (U.S.) for two weeks in January. It has also received positive press worldwide, opening in the number one slot in The United Kingdom, Belgium, Germany, and Australia. It has also done very well in Israel, Argentina, France, Spain, and Brazil.
Pitt approached Terry Gilliam about being included in the film. After several conversations, Gilliam conceded and gave Brad the part. "He was sick of being seen as a blond bimbo," says Gilliam. So Brad Pitt cut his own hair and used specially-designed contact lenses to hide his blue eyes. Once removed from his traditional pretty-boy looks, Brad really cut loose and delivered an extraordinary and deranged performance for "12 Monkeys." Bravo! Sadly, Pitt lost the Oscar. Instead, it went to Kevin Spacey for his role in "The Usual Suspects," which certainly wasn't undeserved.
"12 Monkeys" is Brad Pitt's fifteenth film, having made his film debut in 1989 with "Cutting Class". After appearing in such soap operas as "Another World" and "Dallas," Brad Pitt first gained notice as the hitchhiking hunk in the movie "Thelma & Louise" (1991). Pitt achieved leading man status with his roles in "A River Runs Through It" (1992) and "Legends of the Fall" (1994). Pitt was also recently featured in "Interview with the Vampire" (1995) and "Seven" (1995).
It was somewhat comical to watch this year's Academy Awards show in which examples of each of the nominated costume designs were paraded across the stage. Among the twenty-or-so designs were beautiful costumes from such films as "Restoration," "Richard III," and "Sense and Sensibility." And then there was this one guy, wearing this lit-up plastic contraption, stomping in circles as if he had somewhere important to go. Quite amusing. (The costumed group is pictured here, right, with presenter Pierce Brosnan)
The winner in the Best Costume Design category this year was James Acheson. He won for his wonderful costumes in Michael Hoffman's rambunctious 17th century period film, "Restoration." This is Acheson's third Oscar, winning previously for "The Last Emperor" (1987) and "Dangerous Liaisons" (1988). Had Julie Weiss won, however, we're sure she would have thanked prop master Douglas Harlocker and prop builder Rick Gamez, both whom collaborated with Weiss to create the Willis's "human condom" spacesuit. SIDEBAR: What is perhaps most coincidental from the perspective of a Monty Python fanzine, other than having beaten out "12 Monkeys," is that James Acheson has also designed the extremely elaborate animal costumes for Terry Jones's live-musical version of "Wind in the Willows," which will debut sometime later this year. But wait! This is not the only Monty Python link... Acheson also did the costume work for "Mary Shelley's Frankenstein" (1994), "Brazil" (1985), "Monty Python's the Meaning of Life" (1983), and "Time Bandits" (1981). |
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